The books in the LRC are arranged by topic using Library of Congress classification system. Here are a few call number ranges to explore:
TT1-999 Handicrafts. Arts and crafts
TT490-695 Clothing manufacture. Dressmaking. Tailoring
TT697-927 Home arts. Homecrafts Including sewing, embroidery, decorative crafts
TT950-979 Hairdressing. Beauty culture. Barbers' work
TT980-999 Laundry work
For Subject searches using the Worldcat Discover, try:
To do Keyword searches, you can either use add terms or use phrases.
Searching for Clothing manufacture. Dressmaking?
Test out Clothing manufacture AND Dressmaking or "clothing manufacture AND dressmaking" as searches and see what you can find.
The Fashion Design and Merchandising Program takes a holistic approach in educating students by covering different sectors of Fashion from Haute Couture to Digital Retailing. It begins with the design process wherein the students learn Textile Design through traditional methods such as Handloom Weaving and Technological techniques such as Digital Printing. Students learn to produce their products from clothing to accessories by going through different clothing construction course wares. Lastly the students learn the Merchandising aspect that will allow their designs to be translated to a business by learning Entrepreneurship, Retail Management, Promotion and Brand Management.
This subject guide gathers in one place carefully evaluated and selected resources on fashion, design and merchandising available and accessible at the CLR and its subscribed databases. Books (both print and electronic) are categorized per course; while journals, online databases, and industry report are recommended for the entire Fashion and Design Merchandising program.
QUICK LINKS
This course defines the proper uses of fabric using a high fashion techniques in draping. Lecture, demonstration and laboratory.
This course defines the proper uses of fabric using a high fashion techniques in draping. Lecture, demonstration and laboratory.
This course is the start of the development of a student’s fashion design collection geared towards a specific market and clientele.
This course is the start of the development of a student’s fashion design collection geared towards a specific market and clientele.
Art and design : history, theory, practice by
This book is a selection of essays covering aspects of the history, and contemporary understanding of the fields of art and design and their inter-percolation.Making things has always involved skill and thought. Thought is given to their creation so they are fit for purpose. Where the purpose is aesthetic or intellectual pleasure, the resulting object is often called art. There is, however, often a hierarchy placing "art" somewhere apart from "design." But isn't some art designed? These essays investigate aspects of this dichotomy - from both sides of the supposed divide to discuss the ground.
Fashion through history : costumes, symbols, communication. Volume II by
This collection arises from an international fashion conference held at Sapienza University in Rome, Italy, in May 2015. It is dedicated to one of the main indicators of social change, fashion, analysed within various scientific fields, historical periods, and geographical areas.
A continuation of Apparel Creative Design 1 on design collection with emphasis on the designs of specialization and present collections for specific customers and markets. Lecture and laboratory..
A continuation of Apparel Creative Design 1 on design collection with emphasis on the designs of specialization and present collections for specific customers and markets. Lecture and laboratory.
Art and design : history, theory, practice by
This book is a selection of essays covering aspects of the history, and contemporary understanding of the fields of art and design and their inter-percolation.Making things has always involved skill and thought. Thought is given to their creation so they are fit for purpose. Where the purpose is aesthetic or intellectual pleasure, the resulting object is often called art. There is, however, often a hierarchy placing "art" somewhere apart from "design." But isn't some art designed? These essays investigate aspects of this dichotomy - from both sides of the supposed divide to discuss the ground.
Fashion through history : costumes, symbols, communication. Volume II by
This collection arises from an international fashion conference held at Sapienza University in Rome, Italy, in May 2015. It is dedicated to one of the main indicators of social change, fashion, analysed within various scientific fields, historical periods, and geographical areas.
Students’ complete collection of designs for presentation to the different major manufacturers. Lecture and laboratory.
Students’ complete collection of designs for presentation to the different major manufacturers. Lecture and laboratory.
Art and design : history, theory, practice by
This book is a selection of essays covering aspects of the history, and contemporary understanding of the fields of art and design and their inter-percolation.Making things has always involved skill and thought. Thought is given to their creation so they are fit for purpose. Where the purpose is aesthetic or intellectual pleasure, the resulting object is often called art. There is, however, often a hierarchy placing "art" somewhere apart from "design." But isn't some art designed? These essays investigate aspects of this dichotomy - from both sides of the supposed divide to discuss the ground.
Fashion through history : costumes, symbols, communication. Volume II by
This collection arises from an international fashion conference held at Sapienza University in Rome, Italy, in May 2015. It is dedicated to one of the main indicators of social change, fashion, analysed within various scientific fields, historical periods, and geographical areas.
This course develops skills in grading procedure of sizes and in marker making for production in the industry. Lecture, demonstration and laboratory.
This course develops skills in grading procedure of sizes and in marker making for production in the industry. Lecture, demonstration and laboratory.
Computer Aided Drafting and Design 1
This courses introduces and familiarizes students with computer grading and patternmaking techniques. Students will learn to digitize patterns into the computer. Make computer markers, and manipulate patterns using the PDS and Silhouette programs. Lecture and laboratory.
Computer Aided Drafting and Design 1
This courses introduces and familiarizes students with computer grading and patternmaking techniques. Students will learn to digitize patterns into the computer. Make computer markers, and manipulate patterns using the PDS and Silhouette programs. Lecture and laboratory.
Computer Aided Drafting and Design 2
The course covers Artwork Studio application of computer assisted design for apparel and interior design textiles including repeats as constructed on a CAD system. Development of creative design ideas, preparing colour stories.
Computer Aided Drafting and Design 2
The course covers Artwork Studio application of computer assisted design for apparel and interior design textiles including repeats as constructed on a CAD system. Development of creative design ideas, preparing colour stories.
Children’s Apparel Clothing Construction
Development of tailoring skills in constructing children’s garments. Lecture, demonstration and laboratory.
Childrenswear Design, 2nd Edition by
Previous edition has title: Children's wear design
Children’s Apparel Clothing Construction
Development of tailoring skills in constructing children’s garments. Lecture, demonstration and laboratory.
A directed training in putting together a garment using methods of sewing techniques. Lecture, demonstration and laboratory.
A directed training in putting together a garment using methods of sewing techniques. Lecture, demonstration and laboratory.
Further training in putting together a garment using complicated design. Lecture, demonstration and laboratory.
Further training in putting together a garment using complicated design. Lecture, demonstration and laboratory.
Children's Apparel Pattern Drafting
This course emphasizes the perfect pattern drafting techniques for children’s clothes. Lecture, Demonstration and laboratory.
Children's Apparel Pattern Drafting
This course emphasizes the perfect pattern drafting techniques for children’s clothes. Lecture, Demonstration and laboratory.
An introduction in constructing garments using a professional dress form to see the three (3) dimensional design of a garment. Emphasis is on fit and forms. The principles of design and harmony of lines are stressed. Lecture, demonstration and laboratory.
An introduction in constructing garments using a professional dress form to see the three (3) dimensional design of a garment. Emphasis is on fit and forms. The principles of design and harmony of lines are stressed. Lecture, demonstration and laboratory.
An intermediate draping class designed to enhance the student's draping skills. Students learn to produce a finished garment from a working sketch. Lecture, demonstration and laboratory.
An intermediate draping class designed to enhance the student's draping skills. Students learn to produce a finished garment from a working sketch. Lecture, demonstration and laboratory.
A more intensive study and practice of draping techniques giving three (3) dimensional form to various garments. Lecture, demonstration and laboratory.
A more intensive study and practice of draping techniques giving three (3) dimensional form to various garments. Lecture, demonstration and laboratory.
In this course, model garments are done in muslin to give a final view of a collection, a critical part of the design process. Lecture, demonstration and laboratory.
In this course, model garments are done in muslin to give a final view of a collection, a critical part of the design process. Lecture, demonstration and laboratory.
This is the preparation and presentation of the grand collection for the fashion show. Lecture, laboratory and workshop.
This is the preparation and presentation of the grand collection for the fashion show. Lecture, laboratory and workshop.
This course focuses on the fundamentals of fabric design development through the following: Use of indigenous fibers in the country as new textile materials and its global market possibilities; The essential theories and techniques of fabric dyeing (natural and synthetic); resist dyeing such as tie-dyeing, batik-dyeing and discharge printing. The lessons shall be carried out through lecture and hands-on laboratory work.
Eco-friendly textile dyeing and finishing by
Hibla ng lahing filipino = The artistry of Philippine textiles by
Contents:
Message from Senator Loren Legarda -- Panimula sa eksibisyon = Introduction to the exhibition -- Hibla : mga sinulid na nagbubuklod = Hibla : ties that bind. Sources of fibers in the Philippines. Abaka = Abaca ; Bulak = Cotton ; Balakbak = Bark ; Bast ; Other fiber sources ; Dyeing ; Color spectrum : natural dyes in the Philippines -- Ang bigkis na nagbubuklod : magkakatulad ng proseso at padron = Ties that bind : similar processes and patterns. Habihan = Looms ; Paghabi ng lufid ng Bontoc : ang kalagitnaan sa sansinukob ng karunungan = Weaving the Bontoc lufid : the center in a universe of learning ; Traditional weaving centers -- Habing salinlahi at saling-kamay : mga nakapaloob na salaysay sa pagmamay-ari, anyo at dibuho = Biographical textiles : embedded stories through ownership, design and form. Bilang bride wealth = As bride wealth ; Bilang gamit sa pakikipagpalitan = As medium of exchange ; Bilang tanda ng katayuan sa lipunan = As emblem of social rank ; Bilang simbolo ng ritwal = As ritual symbol ; Bilang tagapagpaalala ng kapangyarihan ng hangin = As reminders of the powerful effects of the wind -- Pagkonsumo ng tela : pagsasaalang-alang sa kapakinabangan at sining tungo sa pag-aaring mga kayo = Consuming cloth : functional and aesthetic considerations in acquring textiles. Senator Loren Legarda Collection ; Fashion and indigenous Filipinos.
This course focuses on the fundamentals of fabric design development through the following: Use of indigenous fibers in the country as new textile materials and its global market possibilities; The essential theories and techniques of fabric dyeing (natural and synthetic); resist dyeing such as tie-dyeing, batik-dyeing and discharge printing. The lessons shall be carried out through lecture and hands-on laboratory work.
A further study in the creative process of embellishing a fabric through the use of embroidery, beadwork, weaving, knitting, dyeing, printing and finishing. Lecture, demonstration and laboratory.
Eco-friendly textile dyeing and finishing by A further study in the creative process of embellishing a fabric through the use of embroidery, beadwork, weaving, knitting, dyeing, printing and finishing. Lecture, demonstration and laboratory.
The emphasis of this course is on illustration styles in sketching, appropriate use of colour and materials/finishes. Lecture, demonstration and laboratory.
Fashion illustration & design : methods & techniques for achieving professional results by
A design tutorial by Manuela Brambatti, Versace's chief design illustrator, the book is an idea of couturier Flavio Marconi who, impressed by her drawing style, her unique taste designing fashion collections and the precision with which she captures the flow of fabric over the body, convinced her to put it into print. Here Brambatti reveals her fresh and innovative style, not better than others, as she writes, but orginal and distinctive for Versace's workshop, halfway between fashion sketching and illustration. Manuela Brambatti began to work in the fashion world in the late '70's for the fashion magazine Style and for other magazines. She has collaborated with Giorgio Correggiari, Krizia, and Gian Marco Venturi. Employee, and later exclusive partner of the Versace fashion house from 1981 to 2009, Manuela, was crucial in setting standards in the Style magazine for the presentation of all fashion collections and their illustrations and, in recent years, the Home Collection of the Brand. Foreword writerBruno Gianesi worked for Gianni Versace's for sixteen years as head stylist and manager of theatrical projects. He designed costumes for respected choreographers and directors such as Maurice Béjart, Roland Petit, William Forsythe, and Bob Wilson and designed also clothing for famous members of the international jet-set, including Elton John, Madonna, Lady Diana, and Sting. The journalist and foreword writerTony di Corcia published several books about Gianni Versace.
The emphasis of this course is on illustration styles in sketching, appropriate use of colour and materials/finishes. Lecture, demonstration and laboratory.
Character costume figure drawing by
Character Costume Figure Drawing is an essential guide that will improve your drawing skills and costume renderings. Step-by-step visuals illustrate the how-tos of drawing body parts, costumes, accessories, faces, children, and different character archetypes, such as maternal, elderly, sassy, sexy, and evil. By focusing on the foundations of drawing bodies, including body proportion, bone structure, body masses, facial expressions, and appendages, this guide shows you how to develop sketches from stick figures to full-blown characters. The third edition features a new chapter, Digital Mixed Media Costume Rendering. This chapter introduces the basic usages of Photoshop tools to enhance and improve costume designs, in order to provide easy delivery design ideas to the director and design team, provide easy changes and alterations during the design process, virtually apply actual fabric swatches over costume sketches, and help visualize lighting effects.
Very intensive course in detailed illustration of the finished garments showing the different design collections. Lecture, demonstration and laboratory.
Very intensive course in detailed illustration of the finished garments showing the different design collections. Lecture, demonstration and laboratory.
Ottoman dress & design in the West : a visual history of cultural exchange by
Ottoman Dress and Design in the West is a richly illustrated exploration of the relationship between West and Near East through the visual culture of dress. Charlotte Jirousek examines the history of dress and fashion in the broader context of western relationships with the Mediterranean world from the dawn of Islam through the end of the twentieth century. The significance of dress is made apparent by the author's careful attention to its political, economic, and cultural context. The reader comes to understand that dress reflects not simply the self and one's relation to community but also that community's relation to a wider world through trade, colonization, religion, and technology. The chapters provide broad historical background on Ottoman influence and European exoticization of that influence, while the captions and illustrations provide detailed studies of illuminations, paintings, and sculptures to show how these influences were absorbed into everyday living. Through the medium of dress, Jirousek details a continually shifting Ottoman frontier that is closely tied to European and American history. In doing so, she explores and celebrates an essential source of influence that for too long has been relegated to the periphery.
A professional approach in fashion illustration with emphasis on flair and style using different art media. Lecture, demonstration and laboratory.
A professional approach in fashion illustration with emphasis on flair and style using different art media. Lecture, demonstration and laboratory.
Fashion Sketching Watercolor Rendering 3
This is a course where a student learns the different techniques in watercolor rendering as applied to fashion design. Lecture, demonstration and laboratory.
Fashion Sketching Watercolor Rendering 3
This is a course where a student learns the different techniques in watercolor rendering as applied to fashion design. Lecture, demonstration and laboratory.
The Accessory Design Course will allow students to learn how to design handbags, sandals, footwear, and headgear accessories, based on the use of different materials and student’s own creativity as well as keeping the practical use of the item. This course will allow students to approach the world of Accessory Design, utilizing different materials, in a professional manner - paying attention to construction and materials targeting a certain type of market.
The Accessory Design Course will allow students to learn how to design handbags, sandals, footwear, and headgear accessories, based on the use of different materials and student’s own creativity as well as keeping the practical use of the item. This course will allow students to approach the world of Accessory Design, utilizing different materials, in a professional manner - paying attention to construction and materials targeting a certain type of market.
Front cover image for The fashion book : [advice, activities & top tips to create your own collection] The fashion book : [advice, activities & top tips to create your own collection] by Marie Vendittelli Format:eBookPublication year:2013| Explore all by
No matter how talented you are as a designer, if you are going to run a successful fashion label you also need to know about businessOCofrom marketing and PR to manufacturing your collection, and where to find the money to finance it all. In How to Set Up and Run a Fashion Label 2nd edition, Toby Meadows presents a no-nonsense guide to running your own business, whether it is within the clothing, accessories, or footwear sectors. Packed with tips, case studies, and tasks to help you analyze yourself, your market, and your product, the book is designed for anyone wanting to start their own fashion business.This new, expanded edition contains information on e-commerce, sustainability, five new case studies, and updated images throughout."
Posing playbook for photographing kids by
Anyone who has photographed children knows: kids don't really do posing. But, as the photographer, it's your job and your responsibility to deliver lasting, impactful images in which kids look great. More importantly, the goal is to create photographs of kids that are authentic, engage their spirit, and convey their unique personalities. So how do you get beyond the "cheese" smile? How do you harness the wild energy of a kid who won't stop moving? How do you create energy and dynamism with a kid who just seems...bored and not into it? How do you do all that and achieve a compelling composition with flattering light and the proper exposure? Tamara Lackey has been photographing children and families for years, and in The Posing Playbook for Photographing Kids , she teaches you her strategies and techniques for successfully posing and photographing children. The book begins with a discussion of "organic posing," an approach to directing the subject that focuses on making small adjustments that build up to a successful shot. Tamara moves on to the psychology of photographing children, covering how to read your subjects, work with different personality types, and elicit genuine engagement. She also discusses gear, accessories, composition, lighting, and camera settings. Then, in five chapters that are the real core of the book, Tamara tackles typical shooting scenarios and works through each kind of shoot, explaining what worked, what didn't, and how each shoot progresses from start to finish. Covering the real-world challenges you'll face when photographing children, Tamara discusses photographing children in the studio, in urban settings, on commercial and fashion shoots, in outdoor natural settings, and in groups. At the end of each of these chapters, she provides a handy reference guide of poses to fuel and inspire your shoots. TABLE OF CONTENTS Introduction Chapter 1: Organic Posing Chapter 2: The Psychology Behind Photographing Children Chapter 3: Gear and Accessories Chapter 4: Framing, Lighting, and Settings Chapter 5: What to Keep in Mind When Finalizing a Shot Chapter 6: In Studio Chapter 7: Urban Settings Chapter 8: Commercial and Fashion Shoots Chapter 9: Outdoor Natural Settings Chapter 10: Posing Children Together.
The course introduces basic draping techniques to create certain basic garment styles Fashion Design students. The main thrust of this subject is to learn to drape all the basic garments and their separate components, as well as to create perfectly fitted garments as a whole. Eventually, the students will also be trained to apply these techniques to their own designs.
The course introduces basic draping techniques to create certain basic garment styles Fashion Design students. The main thrust of this subject is to learn to drape all the basic garments and their separate components, as well as to create perfectly fitted garments as a whole. Eventually, the students will also be trained to apply these techniques to their own designs.
Creating the character costume : tools, tips, and talks with top costumers and cosplayers by
Many beginning and hobbyist costumers believe that professional costume/prop builders have unlimited and specialized resources with which to ply their craft. Actually, the pros create things in much the same way that hobbyists do, working as resourcefully and creatively as possible with a limited budget. Creating the Character Costume dives into these methods to showcase how to achieve expert looks with limited means and lots of creativity. Part One explores tools, materials, and construction methods.
This course allows the students to identify and explore the effective use of the elements and principles of design in fashion through exercises such as fashion selection and styling for specific purposes. This is a lecture and laboratory class.
This course allows the students to identify and explore the effective use of the elements and principles of design in fashion through exercises such as fashion selection and styling for specific purposes. This is a lecture and laboratory class.
Art and design : history, theory, practice by
This book is a selection of essays covering aspects of the history, and contemporary understanding of the fields of art and design and their inter-percolation.Making things has always involved skill and thought. Thought is given to their creation so they are fit for purpose. Where the purpose is aesthetic or intellectual pleasure, the resulting object is often called art. There is, however, often a hierarchy placing "art" somewhere apart from "design." But isn't some art designed? These essays investigate aspects of this dichotomy - from both sides of the supposed divide to discuss the ground.
This course acquaints the students with the principles of creating and developing a line of their own in accordance to clients’ needs and profile. It also introduces to the students the marketing side of such developed line or collection. This course provides basic perspective of marketing as it is related to fashion merchandising, primarily in the field of line development.
This course acquaints the students with the principles of creating and developing a line of their own in accordance to clients’ needs and profile. It also introduces to the students the marketing side of such developed line or collection. This course provides basic perspective of marketing as it is related to fashion merchandising, primarily in the field of line development.
Art and design : history, theory, practice by
This book is a selection of essays covering aspects of the history, and contemporary understanding of the fields of art and design and their inter-percolation.Making things has always involved skill and thought. Thought is given to their creation so they are fit for purpose. Where the purpose is aesthetic or intellectual pleasure, the resulting object is often called art. There is, however, often a hierarchy placing "art" somewhere apart from "design." But isn't some art designed? These essays investigate aspects of this dichotomy - from both sides of the supposed divide to discuss the ground.
The course introduces basic draping techniques to Fashion Design students. The main thrust of this subject is to learn to drape all the basic garments and their separate components, as well as to create perfectly fitted garments as a whole. Eventually, the students will also be trained to apply these techniques to their own designs.
The course introduces basic draping techniques to Fashion Design students. The main thrust of this subject is to learn to drape all the basic garments and their separate components, as well as to create perfectly fitted garments as a whole. Eventually, the students will also be trained to apply these techniques to their own designs.
Draping Period Costumes: Classical Greek to Victorian by
One way of creating a theatrical costume is called flat patterning. This is when a costume designer uses a pattern made to the wearer's measurements to cut out and sew together a costume. In many cases flat patterning is the more appropriate method for creating a period costume - skirts, pants, and sleeves, for example. However, working in two-dimensions often does not translate correctly onto a three-dimensional dress form or person. Often a designer will need to tweak style lines on a garment once they see it worn, or a costume will need a quick adjustment right before going on stage. In those cases, designers need to know how to correctly drape a costume. Draping is also the best way to construct a period costume right from the start. The construction of garments in earlier centuries often constricted movement, especially in the area of the armhole. The very different size and proportions of contemporary people compared to those in previous centuries makes the use of period patterns difficult. A well-draped garment can give the impression of period accuracy while permitting the wearer greater freedom of movement. Having a mock-up pinned to the form in its early stages is quicker and easier to adapt than drafting a flat pattern, cutting it out of muslin and sewing it. It also provides the opportunity for greater creativity and adaptation as well as a better understanding of what fabric will and won't do. In Draping Period Costumes, Sharon Sobel explains in step-by-step detail the basics of draping and demonstrates the use of those basic skills in the creation of a representative selection of period costumes from a variety of time periods. Chapters are broken into time periods and have two parts: an analysis of how clothing was made and worn during that specific time period, and detailed instruction on draping techniques to construct the costume. Copiously illustrated, images allow this visual audience to easily follow along with detailed instructions. A part of the Costume Topics series, this book will be 256 pages, a snazzy 8.25 x 7.5 trim size, and spiral bound-a format consistently requested by our audience so that they can lay the book flat while working from it.
Unbuttoned : the art and artists of theatrical costume design by
Unbuttoned: The Art and Artists of Theatrical Costume Design documents the creative journey of costume creation from concept to performance. Each chapter provides an overview of the process, including designing and shopping; draping, cutting, dyeing, and painting; and beading, sewing, and creating embellishments and accessories. This book features interviews with practitioners from Broadway and regional theatres to opera and ballet companies, offering valuable insights into the costume design profession. Exceptional behind-the-scenes photography illustrates top costume designers and craftspeople at work, along with gorgeous costumes in progress.
This course focuses on conceptualization and designing of women’s, men’s and children’s apparel in response to market needs. Students explore and experience the design process in coming up with apparel designs targeting a specific clientele and purpose. This course is a lecture, demonstration and laboratory class. This is a lecture and laboratory class.
This course focuses on conceptualization and designing of women’s, men’s and children’s apparel in response to market needs. Students explore and experience the design process in coming up with apparel designs targeting a specific clientele and purpose. This course is a lecture, demonstration and laboratory class. This is a lecture and laboratory class.
Digital costume design and collaboration : applications in academia, theatre, and film by
Digital Costume Design and Collaboration gives in-depth instruction on how to draw, render, and fully design costumes using online tools and software. Grounded in the use of Photoshop, the book explains the process of building a costume design from scratch, including information on digital tools and painting techniques. The book demonstrates how to utilize social media, such as Flickr and Pinterest, to compile research; how to create user-friendly web based slide shows; and how to archive digital files for portfolios and personal websites. It also demonstrates how to organize spec sheets, plots and inventories using Google Docs for easy editing and Dropbox for easy file sharing. A companion YouTube channel featuring video tutorials of exercises and applications compliments the book.
Ottoman dress & design in the West : a visual history of cultural exchange by
Ottoman Dress and Design in the West is a richly illustrated exploration of the relationship between West and Near East through the visual culture of dress. Charlotte Jirousek examines the history of dress and fashion in the broader context of western relationships with the Mediterranean world from the dawn of Islam through the end of the twentieth century. The significance of dress is made apparent by the author's careful attention to its political, economic, and cultural context. The reader comes to understand that dress reflects not simply the self and one's relation to community but also that community's relation to a wider world through trade, colonization, religion, and technology. The chapters provide broad historical background on Ottoman influence and European exoticization of that influence, while the captions and illustrations provide detailed studies of illuminations, paintings, and sculptures to show how these influences were absorbed into everyday living. Through the medium of dress, Jirousek details a continually shifting Ottoman frontier that is closely tied to European and American history. In doing so, she explores and celebrates an essential source of influence that for too long has been relegated to the periphery.
Who's buying apparel by
Based on data collected by the Bureau of Labor Statistics' 2010 Consumer Expenditure Survey, this report examines how much Americans spend on apparel, all organized by demographics. Also provides data on the best and biggest customers of various types of apparel.
Fashion Design Line Development
Exploration of merchandising aspects of fashion design and colour selection for specific target customers. Students study the role of the fashion designer in responding to the apparel market. Lecture and studio.
Fashion Design Line Development
Exploration of merchandising aspects of fashion design and colour selection for specific target customers. Students study the role of the fashion designer in responding to the apparel market. Lecture and studio.
Eco-friendly and fair : fast fashion and consumer behaviour by
The make-take-waste paradigm of fast fashion explains much of the producer and consumer behavior patterns towards fast fashion. The evolution from a two-season fashion calendar to fast fashion, characterized by rapid product cycles from retailers and impulse buying by consumers, presents new challenges to the environment, workplace and labour practices. This book provides a comprehensive overview of new insights into consumer behaviour mechanisms in order to shift practices toward sustainable fashion and to minimize the negative impacts of fast fashion on the environment and society. Concepts and techniques are presented that could overcome the formidable economic drivers of fast fashion and lead toward a future of sustainable fashion. While the need for change in the fashion industry post-Rana Plaza could not be more obvious, alternative and more sustainable consumption models have been under-investigated. The paucity of such research extends to highly consumptive consumer behaviours regarding fast fashion (i.e. impulse buying and throwaways) and the related impediments these behaviours pose for sustainable fashion. Written by leading researchers in the field of sustainable fashion and supported by the Textile Institute, this book evaluates fashion trends, what factors have led to new trends and how the factors supporting fast fashion differ from those of the past. It explores the economic drivers of fast fashion and what social, environmental and political factors should be maintained, and business approaches adopted, in order for fast fashion to be a sustainable model. In particular, it provides consumer behaviour concepts that can be utilized at the retail level to support sustainable fashion.
Computer Graphic Design for Fashion
This course studies the use of different computer software in designing for fashion. Students are taught how to develop technical drawings, render textile patterns and designs, and create elective design presentations. This is a lecture, demonstration and laboratory course.
Digital fashion illustration with Photoshop and Illustrator by
Subjects:
Adobe Photoshop.
Adobe Illustrator (Computer file)
Fashion drawing Computer-aided design.
Computer Graphic Design for Fashion
This course studies the use of different computer software in designing for fashion. Students are taught how to develop technical drawings, render textile patterns and designs, and create elective design presentations. This is a lecture, demonstration and laboratory course.
Fashion designer's handbook for Adobe Illustrator by
Fashion Designer's Handbook for Adobe Illustrator 2nd Edition is a teach-yourself guide that provides step-by-step instructions and diagrams on how to use Adobe Illustrator CS5. Bursting with detailed technical information and full colour illustrations, its highly practical approach ensures fast learning. You will not only learn how to create technical drawings, but also fashion illustrations, flat drawings and storyboards for the fashion industry, and how to combine Adobe Illustrator and Adobe Photoshop. Once the basics are covered, you have the opportunity to learn more about the sophisticated aspects of this essential software package. If you are a fashion student or a fashion designer, this is the only book you'll need to master the very latest version of Adobe Illustrator.
The course studies the development of flat pattern using the latest software for digital (lat pattern design. Students are taught how to design, manipulate and prade patterns. Usinp the latest intuitive software, students also learn marker-making and planning of material consumption. This is a lecture, demonstration and laboratory.
The course studies the development of flat pattern using the latest software for digital (lat pattern design. Students are taught how to design, manipulate and prade patterns. Usinp the latest intuitive software, students also learn marker-making and planning of material consumption. This is a lecture, demonstration and laboratory.
Creating the character costume : tools, tips, and talks with top costumers and cosplayers by
Many beginning and hobbyist costumers believe that professional costume/prop builders have unlimited and specialized resources with which to ply their craft. Actually, the pros create things in much the same way that hobbyists do, working as resourcefully and creatively as possible with a limited budget. Creating the Character Costume dives into these methods to showcase how to achieve expert looks with limited means and lots of creativity. Part One explores tools, materials, and construction methods.
This course teaches students the assembly of basic garments using methods of basic clothing construction beginning from fabric and pattern layouting, cutting to sewing. The use of garment patterns directly taken from FDRAFT1 is essential lecture, demonstration.
This course teaches students the assembly of basic garments using methods of basic clothing construction beginning from fabric and pattern layouting, cutting to sewing. The use of garment patterns directly taken from FDRAFT1 is essential lecture, demonstration.
Creating the character costume : tools, tips, and talks with top costumers and cosplayers by
Many beginning and hobbyist costumers believe that professional costume/prop builders have unlimited and specialized resources with which to ply their craft. Actually, the pros create things in much the same way that hobbyists do, working as resourcefully and creatively as possible with a limited budget. Creating the Character Costume dives into these methods to showcase how to achieve expert looks with limited means and lots of creativity. Part One explores tools, materials, and construction methods.
This course teaches students the assembly of garments using advance methods of clothing construction beginning from fabric and pattern layouting, cutting to sewing. The use of garment patterns directly taken from FDDRAP 1 and FDDRAP2 is essential when taking this course. This course is a lecture, demonstration and laboratory class.
This course teaches students the assembly of garments using advance methods of clothing construction beginning from fabric and pattern layouting, cutting to sewing. The use of garment patterns directly taken from FDDRAP 1 and FDDRAP2 is essential when taking this course. This course is a lecture, demonstration and laboratory class.
Creating the character costume : tools, tips, and talks with top costumers and cosplayers by
Many beginning and hobbyist costumers believe that professional costume/prop builders have unlimited and specialized resources with which to ply their craft. Actually, the pros create things in much the same way that hobbyists do, working as resourcefully and creatively as possible with a limited budget. Creating the Character Costume dives into these methods to showcase how to achieve expert looks with limited means and lots of creativity. Part One explores tools, materials, and construction methods.
Digital costume design and collaboration : applications in academia, theatre, and film by
Digital Costume Design and Collaboration gives in-depth instruction on how to draw, render, and fully design costumes using online tools and software. Grounded in the use of Photoshop, the book explains the process of building a costume design from scratch, including information on digital tools and painting techniques. The book demonstrates how to utilize social media, such as Flickr and Pinterest, to compile research; how to create user-friendly web based slide shows; and how to archive digital files for portfolios and personal websites. It also demonstrates how to organize spec sheets, plots and inventories using Google Docs for easy editing and Dropbox for easy file sharing. A companion YouTube channel featuring video tutorials of exercises and applications compliments the book.
Children’s Pattern Drafting and Construction
This course focuses on the pattern and construction of garments for Infants to pre-teens and Menswear.
Childrenswear Design, 2nd Edition by
Previous edition has title: Children's wear design
Children’s Pattern Drafting and Construction
This course focuses on the pattern and construction of garments for Infants to pre-teens and Menswear.
The course studies the fundamentals of flat patternmaking for women, from the drafting of basic slopers to the development of basic clothing styles. This course covers the basic bodice, skirt, sleeves and dress with special lessons on developing other bodice, collar and skirt styles. This is a lecture, demonstration and mostly laboratory class.
The course studies the fundamentals of flat patternmaking for women, from the drafting of basic slopers to the development of basic clothing styles. This course covers the basic bodice, skirt, sleeves and dress with special lessons on developing other bodice, collar and skirt styles. This is a lecture, demonstration and mostly laboratory class.
Creating the character costume : tools, tips, and talks with top costumers and cosplayers by
Many beginning and hobbyist costumers believe that professional costume/prop builders have unlimited and specialized resources with which to ply their craft. Actually, the pros create things in much the same way that hobbyists do, working as resourcefully and creatively as possible with a limited budget. Creating the Character Costume dives into these methods to showcase how to achieve expert looks with limited means and lots of creativity. Part One explores tools, materials, and construction methods.
The politics of the headscarf in the United States by
The Politics of the Headscarf in the United States investigates the social and political effects of the practice of Muslim-American women wearing the headscarf (hijab) in a non-Muslim state. The authors find the act of head covering is not politically motivated in the U.S. setting, but rather it accentuates and engages Muslim identity in uniquely American ways. Transcending contemporary political debates on the issue of Islamic head covering, The Politics of the Headscarf in the United States addresses concerns beyond the simple, particular phenomenon of wearing the headscarf itself, with the authors confronting broader issues of lasting import. These issues include the questions of safeguarding individual and collective identity in a diverse democracy, exploring the ways in which identities inform and shape political practices, and sourcing the meaning of citizenship and belonging in the United States through the voices of Muslim-American women themselves. The Politics of the Headscarf in the United States superbly melds quantitative data with qualitative assessment, and the authors smoothly integrate the results of nearly two thousand survey responses from Muslim-American women across forty-nine states. Seventy-two in-depth interviews with Muslim women living in the United States bolster the arguments put forward by the authors to provide an incredibly well-rounded approach to this fascinating topic. Ultimately, the authors argue, women's experiences with identity and boundary construction through their head-covering practices carry important political consequences that may well shed light on the future of the United States as a model of democratic pluralism.
The course studies the technique in advancement of flat pattern making for women through more complex pattern manipulations. New garment styles and categories, jackets trousers and knits, are tackled. This course also covers the manipulation of basic slopers to create different design variations. This is a lecture, demonstration and mostly laboratory class.
The course studies the technique in advancement of flat pattern making for women through more complex pattern manipulations. New garment styles and categories, jackets trousers and knits, are tackled. This course also covers the manipulation of basic slopers to create different design variations. This is a lecture, demonstration and mostly laboratory class.
Fashion through history : costumes, symbols, communication. Volume II by
This collection arises from an international fashion conference held at Sapienza University in Rome, Italy, in May 2015. It is dedicated to one of the main indicators of social change, fashion, analysed within various scientific fields, historical periods, and geographical areas.
Ottoman dress & design in the West : a visual history of cultural exchange by
Ottoman Dress and Design in the West is a richly illustrated exploration of the relationship between West and Near East through the visual culture of dress. Charlotte Jirousek examines the history of dress and fashion in the broader context of western relationships with the Mediterranean world from the dawn of Islam through the end of the twentieth century. The significance of dress is made apparent by the author's careful attention to its political, economic, and cultural context. The reader comes to understand that dress reflects not simply the self and one's relation to community but also that community's relation to a wider world through trade, colonization, religion, and technology. The chapters provide broad historical background on Ottoman influence and European exoticization of that influence, while the captions and illustrations provide detailed studies of illuminations, paintings, and sculptures to show how these influences were absorbed into everyday living. Through the medium of dress, Jirousek details a continually shifting Ottoman frontier that is closely tied to European and American history. In doing so, she explores and celebrates an essential source of influence that for too long has been relegated to the periphery.
This lecture course concentrates on the study of historical costume and fashion events which traces the change of costume and fashion set against the development of artistic, industrial, political, religious and social factors from pre-historic times to the present. The course equips students with terminologies and practical information of the costumes, textiles, colors, accessories, beauty and grooming of different civilizations and era.
Crossing gender boundaries : fashion to create, disrupt and transcend by
This volume presents a collection of the most recent knowledge on the relationship between gender and fashion in historical and contemporary contexts. Through fourteen essays divided into three segments?how dress creates, disrupts, and transcends gender?the essays investigate gender issues through the lens of fashion. Crossing Gender Boundaries first examines how clothing has been, and continues to be, used to create and maintain the binary gender division that has come to permeate Western and westernized cultures. Next, it explores how dress can be used to contest and subvert binary gender expectations, before a final section that considers the meaning of gender and how dress can transcend it, focusing on unisex and genderless clothing. The essays consider how fashion can both constrict and free gender expression, explore the ways dress and gender are products of one other, and illuminate the construction of gender through social norms. Readers will find that through analysis of the relationship between gender and fashion, they gain a better understanding of the world around them.
This lecture course concentrates on the study of historical costume and fashion events which traces the change of costume and fashion set against the development of artistic, industrial, political, religious and social factors from pre-historic times to the present. The course equips students with terminologies and practical information of the costumes, textiles, colors, accessories, beauty and grooming of different civilizations and era.
Fashion through history : costumes, symbols, communication. Volume II by
This collection arises from an international fashion conference held at Sapienza University in Rome, Italy, in May 2015. It is dedicated to one of the main indicators of social change, fashion, analysed within various scientific fields, historical periods, and geographical areas.
Ottoman Dress and Design in the West by
Ottoman Dress and Design in the West is a richly illustrated exploration of the relationship between West and Near East through the visual culture of dress. Charlotte Jirousek examines the history of dress and fashion in the broader context of western relationships with the Mediterranean world from the dawn of Islam through the end of the twentieth century. The significance of dress is made apparent by the author's careful attention to its political, economic, and cultural context. The reader comes to understand that dress reflects not simply the self and one's relation to community but also that community's relation to a wider world through trade, colonization, religion, and technology. The chapters provide broad historical background on Ottoman influence and European exoticization of that influence, while the captions and illustrations provide detailed studies of illuminations, paintings, and sculptures to show how these influences were absorbed into everyday living. Through the medium of dress, Jirousek details a continually shifting Ottoman frontier that is closely tied to European and American history. In doing so, she explores and celebrates an essential source of influence that for too long has been relegated to the periphery.
This is the first of the fashion sketching courses which studies the fundamental approach of drawing the women, men’s and children’s figure using the 8 and 9/12 heads proportion in pencil and ink as media. In the latter part it is intended to tackle the application of the basics of technical drawing of garments in preparation for Fashion illustration 2. This course is a lecture, demonstration and laboratory class.
This is the first of the fashion sketching courses which studies the fundamental approach of drawing the women, men’s and children’s figure using the 8 and 9/12 heads proportion in pencil and ink as media. In the latter part it is intended to tackle the application of the basics of technical drawing of garments in preparation for Fashion illustration 2. This course is a lecture, demonstration and laboratory class.
Art and design : history, theory, practice by
This book is a selection of essays covering aspects of the history, and contemporary understanding of the fields of art and design and their inter-percolation.Making things has always involved skill and thought. Thought is given to their creation so they are fit for purpose. Where the purpose is aesthetic or intellectual pleasure, the resulting object is often called art. There is, however, often a hierarchy placing "art" somewhere apart from "design." But isn't some art designed? These essays investigate aspects of this dichotomy - from both sides of the supposed divide to discuss the ground.
This is a fashion-sketching course that focuses on the proper rendering and illustration of fashion figures and garments. It allows the students to explore various figure poses, garments styles, surfaces and prints. Drawing techniques are polished and effective rendering techniques are studied. At the beginning of the course, students will use pencils, ink, watercolor and color pencils as their main media and then eventually learn to use markers during the latter part. This course is a lecture, demonstration and laboratory class.
This is a fashion-sketching course that focuses on the proper rendering and illustration of fashion figures and garments. It allows the students to explore various figure poses, garments styles, surfaces and prints. Drawing techniques are polished and effective rendering techniques are studied. At the beginning of the course, students will use pencils, ink, watercolor and color pencils as their main media and then eventually learn to use markers during the latter part. This course is a lecture, demonstration and laboratory class.
Art and design : history, theory, practice by
This book is a selection of essays covering aspects of the history, and contemporary understanding of the fields of art and design and their inter-percolation.Making things has always involved skill and thought. Thought is given to their creation so they are fit for purpose. Where the purpose is aesthetic or intellectual pleasure, the resulting object is often called art. There is, however, often a hierarchy placing "art" somewhere apart from "design." But isn't some art designed? These essays investigate aspects of this dichotomy - from both sides of the supposed divide to discuss the ground.
Ottoman dress & design in the West : a visual history of cultural exchange by
Ottoman Dress and Design in the West is a richly illustrated exploration of the relationship between West and Near East through the visual culture of dress. Charlotte Jirousek examines the history of dress and fashion in the broader context of western relationships with the Mediterranean world from the dawn of Islam through the end of the twentieth century. The significance of dress is made apparent by the author's careful attention to its political, economic, and cultural context. The reader comes to understand that dress reflects not simply the self and one's relation to community but also that community's relation to a wider world through trade, colonization, religion, and technology. The chapters provide broad historical background on Ottoman influence and European exoticization of that influence, while the captions and illustrations provide detailed studies of illuminations, paintings, and sculptures to show how these influences were absorbed into everyday living. Through the medium of dress, Jirousek details a continually shifting Ottoman frontier that is closely tied to European and American history. In doing so, she explores and celebrates an essential source of influence that for too long has been relegated to the periphery.
Introduction to Fashion Design
This is a lecture class that discusses the fundamentals and importance of Fashion Design and Merchandising. This includes fashion terminologies, a brief overview of its history and notable people involved in fashion, design concepts, principles and processes as well as careers related to fashion.
Introduction to Fashion Design
This is a lecture class that discusses the fundamentals and importance of Fashion Design and Merchandising. This includes fashion terminologies, a brief overview of its history and notable people involved in fashion, design concepts, principles and processes as well as careers related to fashion.
Art and design : history, theory, practice by
This book is a selection of essays covering aspects of the history, and contemporary understanding of the fields of art and design and their inter-percolation.Making things has always involved skill and thought. Thought is given to their creation so they are fit for purpose. Where the purpose is aesthetic or intellectual pleasure, the resulting object is often called art. There is, however, often a hierarchy placing "art" somewhere apart from "design." But isn't some art designed? These essays investigate aspects of this dichotomy - from both sides of the supposed divide to discuss the ground.
Ottoman dress & design in the West : a visual history of cultural exchange by
Ottoman Dress and Design in the West is a richly illustrated exploration of the relationship between West and Near East through the visual culture of dress. Charlotte Jirousek examines the history of dress and fashion in the broader context of western relationships with the Mediterranean world from the dawn of Islam through the end of the twentieth century. The significance of dress is made apparent by the author's careful attention to its political, economic, and cultural context. The reader comes to understand that dress reflects not simply the self and one's relation to community but also that community's relation to a wider world through trade, colonization, religion, and technology. The chapters provide broad historical background on Ottoman influence and European exoticization of that influence, while the captions and illustrations provide detailed studies of illuminations, paintings, and sculptures to show how these influences were absorbed into everyday living. Through the medium of dress, Jirousek details a continually shifting Ottoman frontier that is closely tied to European and American history. In doing so, she explores and celebrates an essential source of influence that for too long has been relegated to the periphery.
Textile Science and Surface Design 1
This course studies the fundamentals of textiles and its importance in the field of fashion design. The beginning of the course focuses on the understanding of textiles, different properties and characteristics as they contribute to the overall design and end-uses, particularly the ones used in the apparel industry. Students are also taught textile appreciation, selection and familiarization to the different surface design techniques such as silkscreen printing, block printing and other techniques/tools to create special effects on fabric surface. This is a lecture, demonstration and laboratory class.
Textile Science and Surface Design 1
This course studies the fundamentals of textiles and its importance in the field of fashion design. The beginning of the course focuses on the understanding of textiles, different properties and characteristics as they contribute to the overall design and end-uses, particularly the ones used in the apparel industry. Students are also taught textile appreciation, selection and familiarization to the different surface design techniques such as silkscreen printing, block printing and other techniques/tools to create special effects on fabric surface. This is a lecture, demonstration and laboratory class.
This course focuses on the fundamentals of fabric design development through the following: Use of indigenous fibers in the country as new textile materials and its global market possibilities; The essential theories and techniques of fabric dyeing (natural and synthetic); resist dyeing such as tie-dyeing, batik-dyeing and discharge printing. The lessons shall be carried out through lecture and hands-on laboratory work.
Eco-friendly textile dyeing and finishing by This course focuses on the fundamentals of fabric design development through the following: Use of indigenous fibers in the country as new textile materials and its global market possibilities; The essential theories and techniques of fabric dyeing (natural and synthetic); resist dyeing such as tie-dyeing, batik-dyeing and discharge printing. The lessons shall be carried out through lecture and hands-on laboratory work.
This course delves on the study of creative development of textiles and fabric design development through the following; Fabric manipulation such as Wrinkled Pleating and Smocking; Traditional and contemporary surface design techniques such as beadwork, patchwork & applique, Devore and laser cutting; Fabric design development in handloom weaving and knitting. The lessons shall be carried out through lecture and hands-on laboratory work.
This course delves on the study of creative development of textiles and fabric design development through the following; Fabric manipulation such as Wrinkled Pleating and Smocking; Traditional and contemporary surface design techniques such as beadwork, patchwork & applique, Devore and laser cutting; Fabric design development in handloom weaving and knitting. The lessons shall be carried out through lecture and hands-on laboratory work.
This lecture course teaches the students the structure and sectors of the Clothing Industry including product types and organization. Principles of Management will be discussed as well as the different departments of the organization of a clothing factory. Study of Manufacturing Technology will be given focus from the cutting, fusing, sewing, pressing, and production technology; up to the warehousing. Topics on production engineering and principles of quality control will also be briefly discussed.
This lecture course teaches the students the structure and sectors of the Clothing Industry including product types and organization. Principles of Management will be discussed as well as the different departments of the organization of a clothing factory. Study of Manufacturing Technology will be given focus from the cutting, fusing, sewing, pressing, and production technology; up to the warehousing. Topics on production engineering and principles of quality control will also be briefly discussed.
To Sew or Not to Sew? Assessing the Welfare Effects of the Garment Industry in Cambodia by
This paper uses the 2011 Cambodia Socio-Economic Survey to analyze the relationship between participation in the garment industry and household welfare. The analysis relies on propensity score matching estimators to investigate whether households that have at least one member employed in the textile and apparel sector are better off than those who do not participate in the garment industry, in terms of several monetary and non-monetary welfare indicators. The findings show that garment households are less likely to experience self-reported food insufficiency, and their children are more likely to be enrolled in school. Yet, the positive effect of the treatment is restricted to the bottom 40 percent of the consumption distribution, possibly due to the nature of garment jobs, and the fact that they represent an attractive alternative for the poorest households but not necessarily for the better-off. Using instrumental-variables, the analysis also shows that remittances originating from the textile and apparel sector relax household budget constraints, increasing expenditures in education, health, and investments in agricultural activities.
This course is aimed at students who are passionate about fashion, but do not want to follow the design route. It aims to nurture you to become innovative, informed, responsible promoters, writers, communicators and observers, central to the industry’s future.
This course is aimed at students who are passionate about fashion, but do not want to follow the design route. It aims to nurture you to become innovative, informed, responsible promoters, writers, communicators and observers, central to the industry’s future.
Fashion merchandising. by
Eco-friendly and fair : fast fashion and consumer behaviour by
The make-take-waste paradigm of fast fashion explains much of the producer and consumer behavior patterns towards fast fashion. The evolution from a two-season fashion calendar to fast fashion, characterized by rapid product cycles from retailers and impulse buying by consumers, presents new challenges to the environment, workplace and labour practices. This book provides a comprehensive overview of new insights into consumer behaviour mechanisms in order to shift practices toward sustainable fashion and to minimize the negative impacts of fast fashion on the environment and society. Concepts and techniques are presented that could overcome the formidable economic drivers of fast fashion and lead toward a future of sustainable fashion. While the need for change in the fashion industry post-Rana Plaza could not be more obvious, alternative and more sustainable consumption models have been under-investigated. The paucity of such research extends to highly consumptive consumer behaviours regarding fast fashion (i.e. impulse buying and throwaways) and the related impediments these behaviours pose for sustainable fashion. Written by leading researchers in the field of sustainable fashion and supported by the Textile Institute, this book evaluates fashion trends, what factors have led to new trends and how the factors supporting fast fashion differ from those of the past. It explores the economic drivers of fast fashion and what social, environmental and political factors should be maintained, and business approaches adopted, in order for fast fashion to be a sustainable model. In particular, it provides consumer behaviour concepts that can be utilized at the retail level to support sustainable fashion.
Fashion's next trend : accelerating supply chain transparency in the apparel and footwear industry by
"This report describes how dozens of brands and retailers are publicly disclosing information about their supplier factories. This has become a widely accepted step toward better identifying and addressing labor abuses in garment supply chains."--Publisher website.
This lecture course studies the entire process of fashion merchandising; from strategic planning, branding, trend forecasting, consumer research, product development, buying, pricing and costing. The course will also tackle product sourcing or manufacturing, retail operations and presentation to the consumers. Students will also equip students with math skills used in merchandising such as Open-to-Buy (OTB), sales analysis, seasonal sales plan, and inventory control.
Kashato shirts : accounting practice set for a merchandising business by
With business forms, documents and payroll voucher system, includes VAT and F/S analysis
This lecture course studies the entire process of fashion merchandising; from strategic planning, branding, trend forecasting, consumer research, product development, buying, pricing and costing. The course will also tackle product sourcing or manufacturing, retail operations and presentation to the consumers. Students will also equip students with math skills used in merchandising such as Open-to-Buy (OTB), sales analysis, seasonal sales plan, and inventory control.
Eco-friendly and fair : fast fashion and consumer behaviour by
The make-take-waste paradigm of fast fashion explains much of the producer and consumer behavior patterns towards fast fashion. The evolution from a two-season fashion calendar to fast fashion, characterized by rapid product cycles from retailers and impulse buying by consumers, presents new challenges to the environment, workplace and labour practices. This book provides a comprehensive overview of new insights into consumer behaviour mechanisms in order to shift practices toward sustainable fashion and to minimize the negative impacts of fast fashion on the environment and society. Concepts and techniques are presented that could overcome the formidable economic drivers of fast fashion and lead toward a future of sustainable fashion. While the need for change in the fashion industry post-Rana Plaza could not be more obvious, alternative and more sustainable consumption models have been under-investigated. The paucity of such research extends to highly consumptive consumer behaviours regarding fast fashion (i.e. impulse buying and throwaways) and the related impediments these behaviours pose for sustainable fashion. Written by leading researchers in the field of sustainable fashion and supported by the Textile Institute, this book evaluates fashion trends, what factors have led to new trends and how the factors supporting fast fashion differ from those of the past. It explores the economic drivers of fast fashion and what social, environmental and political factors should be maintained, and business approaches adopted, in order for fast fashion to be a sustainable model. In particular, it provides consumer behaviour concepts that can be utilized at the retail level to support sustainable fashion.
Fashion's next trend : accelerating supply chain transparency in the apparel and footwear industry by
"This report describes how dozens of brands and retailers are publicly disclosing information about their supplier factories. This has become a widely accepted step toward better identifying and addressing labor abuses in garment supply chains."--Publisher website.
Fashion Promotion and Management
This lecture course introduces the world of fashion promotion through examining external and internal promotional activities of fashion companies including public relations, fashion styling, fashion shows, advertising, visual merchandising and the fashion media.
Fashion merchandising. by Fashion Promotion and Management
This lecture course introduces the world of fashion promotion through examining external and internal promotional activities of fashion companies including public relations, fashion styling, fashion shows, advertising, visual merchandising and the fashion media.
This lecture course studies the retail industry as the business of selling different fashion products. The course will provide an overview of the retail industry as a part of the merchandising cycle wherein the products are showcased and distributed. Factors that affect the profitability of brand will also be identified such as pricing, store location, store display and styling. Operation and management of retail institutions will be discussed through case studies of different fashion brands.
This lecture course studies the retail industry as the business of selling different fashion products. The course will provide an overview of the retail industry as a part of the merchandising cycle wherein the products are showcased and distributed. Factors that affect the profitability of brand will also be identified such as pricing, store location, store display and styling. Operation and management of retail institutions will be discussed through case studies of different fashion brands.
Eco-friendly and fair : fast fashion and consumer behaviour by
The make-take-waste paradigm of fast fashion explains much of the producer and consumer behavior patterns towards fast fashion. The evolution from a two-season fashion calendar to fast fashion, characterized by rapid product cycles from retailers and impulse buying by consumers, presents new challenges to the environment, workplace and labour practices. This book provides a comprehensive overview of new insights into consumer behaviour mechanisms in order to shift practices toward sustainable fashion and to minimize the negative impacts of fast fashion on the environment and society. Concepts and techniques are presented that could overcome the formidable economic drivers of fast fashion and lead toward a future of sustainable fashion. While the need for change in the fashion industry post-Rana Plaza could not be more obvious, alternative and more sustainable consumption models have been under-investigated. The paucity of such research extends to highly consumptive consumer behaviours regarding fast fashion (i.e. impulse buying and throwaways) and the related impediments these behaviours pose for sustainable fashion. Written by leading researchers in the field of sustainable fashion and supported by the Textile Institute, this book evaluates fashion trends, what factors have led to new trends and how the factors supporting fast fashion differ from those of the past. It explores the economic drivers of fast fashion and what social, environmental and political factors should be maintained, and business approaches adopted, in order for fast fashion to be a sustainable model. In particular, it provides consumer behaviour concepts that can be utilized at the retail level to support sustainable fashion.
The course in fashion styling is intended to train students to be creative with full mastery and in-depth knowledge in the prediction of trends, in the analysis and interpretation of brand style and visual communication. The fashion stylist is an expert in style and image, they must be able to bring to light the style of a product line and propose it in all of its promotional phases. They are able to interpret the soul of a product and to communicate it through a style that is distinct. At the end of the training course, the candidates will know how to apply these skills to the technology currently in use in the industry for the communication of fashion. The students will learn to have a vision of the functions of a fashion system. This course provides experience and exposure with industry specialist.
The course in fashion styling is intended to train students to be creative with full mastery and in-depth knowledge in the prediction of trends, in the analysis and interpretation of brand style and visual communication. The fashion stylist is an expert in style and image, they must be able to bring to light the style of a product line and propose it in all of its promotional phases. They are able to interpret the soul of a product and to communicate it through a style that is distinct. At the end of the training course, the candidates will know how to apply these skills to the technology currently in use in the industry for the communication of fashion. The students will learn to have a vision of the functions of a fashion system. This course provides experience and exposure with industry specialist.
Fashion's next trend : accelerating supply chain transparency in the apparel and footwear industry by
"This report describes how dozens of brands and retailers are publicly disclosing information about their supplier factories. This has become a widely accepted step toward better identifying and addressing labor abuses in garment supply chains."--Publisher website.
This course describes the relationship between sales and visual merchandising. It defines responsibilities and tasks performed by the visual merchandising team. It teaching various tools, materials needed and techniques in visual merchandising.
This course describes the relationship between sales and visual merchandising. It defines responsibilities and tasks performed by the visual merchandising team. It teaching various tools, materials needed and techniques in visual merchandising.
Eco-friendly and fair : fast fashion and consumer behaviour by
The make-take-waste paradigm of fast fashion explains much of the producer and consumer behavior patterns towards fast fashion. The evolution from a two-season fashion calendar to fast fashion, characterized by rapid product cycles from retailers and impulse buying by consumers, presents new challenges to the environment, workplace and labour practices. This book provides a comprehensive overview of new insights into consumer behaviour mechanisms in order to shift practices toward sustainable fashion and to minimize the negative impacts of fast fashion on the environment and society. Concepts and techniques are presented that could overcome the formidable economic drivers of fast fashion and lead toward a future of sustainable fashion. While the need for change in the fashion industry post-Rana Plaza could not be more obvious, alternative and more sustainable consumption models have been under-investigated. The paucity of such research extends to highly consumptive consumer behaviours regarding fast fashion (i.e. impulse buying and throwaways) and the related impediments these behaviours pose for sustainable fashion. Written by leading researchers in the field of sustainable fashion and supported by the Textile Institute, this book evaluates fashion trends, what factors have led to new trends and how the factors supporting fast fashion differ from those of the past. It explores the economic drivers of fast fashion and what social, environmental and political factors should be maintained, and business approaches adopted, in order for fast fashion to be a sustainable model. In particular, it provides consumer behaviour concepts that can be utilized at the retail level to support sustainable fashion.
Fashion marketing management by
Focusing on fashion, apparel and retail merchandising, this book starts with an Introduction to the apparel business, then leads on to an examination of marketing, fashion, apparel, and retail merchandising, including costing and procedures and documentation needed for export.This book will be invaluable for all textile and fashion students on both undergraduate and postgraduate courses. It outlines the guideline and basics to the students about the activities of marketing and merchandising in apparel industry.
This course prepares the student with the technical expertise in presenting a fashion show. Lecture and workshop.
This course prepares the student with the technical expertise in presenting a fashion show. Lecture and workshop.
An explanation of trends in lifestyle, business and ready-to-wear fashion. Students learn to analyze predictive trend reports: lifestyle/business trends that effects retail merchandising and marketing decisions.
An explanation of trends in lifestyle, business and ready-to-wear fashion. Students learn to analyze predictive trend reports: lifestyle/business trends that effects retail merchandising and marketing decisions.
A study of historical costume which traces the change of western costume set against the development of artistic, industrial, political, religious and social factors from pre-historic times to the present. Time periods and/or civilizations covered include: Bronze Age Europe, Mesopotamian, Sumerian, Egyptian, Crete, Etruscan, Greek, Roman, Byzantine, Early Persian, Central Asian, Medieval, Renaissance and 18th century to the 20th century.
A study of historical costume which traces the change of western costume set against the development of artistic, industrial, political, religious and social factors from pre-historic times to the present. Time periods and/or civilizations covered include: Bronze Age Europe, Mesopotamian, Sumerian, Egyptian, Crete, Etruscan, Greek, Roman, Byzantine, Early Persian, Central Asian, Medieval, Renaissance and 18th century to the 20th century.
Introduction to Fashion Design
An introductory class that shall discuss an overview of the principles and elements involved in Fashion and Design from concept to consumer.
Introduction to Fashion Design
An introductory class that shall discuss an overview of the principles and elements involved in Fashion and Design from concept to consumer.
Fashion : a very short introduction by
Fashion is a dynamic global industry that plays an important role in the economic, political, cultural, and social lives of an international audience. It spans high art and popular culture, and plays a significant role in material and visual culture. This book introduces fashion's myriad influences and manifestations. Fashion is explored as a creative force, a business, and a means of communication. From Karl Lagerfeld's creative reinventions of Chanel's iconic style to themulticultural reference points of Indian designer Manish Arora, from the spectacular fashion shows held in nineteenth century department stores to the mix-and-match styles of Japanese youth, the book examines the ways that fashion both reflects and shapes contemporary culture. Using historical andcontemporary examples, it gives a clear understanding of how fashion has developed since the renaissance, while raising questions about its status, ethical credibility, and influence on consumers.The book provides insight into the structure of the fashion industry and how fashions are designed, promoted and consumed, in relation to relevant historical, social and cultural contexts. It is structured thematically, to look at the role and development of designers, the growth of shopping and the different businesses involved in making and selling fashionable clothes. Fashion's relationship to the wider culture is also explored, by considering its representation in art and collaborationsbetween designers and artists, the moral controversies surrounding fashion, and attempts to produce ethical clothing, and the effects of globalisation on the fashion trade.
Men’s Apparel Clothing Construction
Development of tailoring skills in constructing men’s garments. Lecture, demonstration and laboratory.
Crossing gender boundaries : fashion to create, disrupt and transcend by
This volume presents a collection of the most recent knowledge on the relationship between gender and fashion in historical and contemporary contexts. Through fourteen essays divided into three segments?how dress creates, disrupts, and transcends gender?the essays investigate gender issues through the lens of fashion. Crossing Gender Boundaries first examines how clothing has been, and continues to be, used to create and maintain the binary gender division that has come to permeate Western and westernized cultures. Next, it explores how dress can be used to contest and subvert binary gender expectations, before a final section that considers the meaning of gender and how dress can transcend it, focusing on unisex and genderless clothing. The essays consider how fashion can both constrict and free gender expression, explore the ways dress and gender are products of one other, and illuminate the construction of gender through social norms. Readers will find that through analysis of the relationship between gender and fashion, they gain a better understanding of the world around them.
The National register of apparel manufacturers : men and boy's wear
Subjects:
Men's clothing industry United States Directories.
Children's clothing industry United States Directories.
Boy's cloting United States.
Men’s Apparel Clothing Construction
Development of tailoring skills in constructing men’s garments. Lecture, demonstration and laboratory.
This course explores the concepts and practices of the fashion business from raw materials to manufacturing to retailing of diverse merchandise categories: women's, men's, children's, accessories and intimate apparel. Students will develop a knowledge of the garment industry and fashion terminology, including career options.
This course explores the concepts and practices of the fashion business from raw materials to manufacturing to retailing of diverse merchandise categories: women's, men's, children's, accessories and intimate apparel. Students will develop a knowledge of the garment industry and fashion terminology, including career options.
Eco-friendly and fair : fast fashion and consumer behaviour by
The make-take-waste paradigm of fast fashion explains much of the producer and consumer behavior patterns towards fast fashion. The evolution from a two-season fashion calendar to fast fashion, characterized by rapid product cycles from retailers and impulse buying by consumers, presents new challenges to the environment, workplace and labour practices. This book provides a comprehensive overview of new insights into consumer behaviour mechanisms in order to shift practices toward sustainable fashion and to minimize the negative impacts of fast fashion on the environment and society. Concepts and techniques are presented that could overcome the formidable economic drivers of fast fashion and lead toward a future of sustainable fashion. While the need for change in the fashion industry post-Rana Plaza could not be more obvious, alternative and more sustainable consumption models have been under-investigated. The paucity of such research extends to highly consumptive consumer behaviours regarding fast fashion (i.e. impulse buying and throwaways) and the related impediments these behaviours pose for sustainable fashion. Written by leading researchers in the field of sustainable fashion and supported by the Textile Institute, this book evaluates fashion trends, what factors have led to new trends and how the factors supporting fast fashion differ from those of the past. It explores the economic drivers of fast fashion and what social, environmental and political factors should be maintained, and business approaches adopted, in order for fast fashion to be a sustainable model. In particular, it provides consumer behaviour concepts that can be utilized at the retail level to support sustainable fashion.
Men’s and Children’s Designing
This is a specialized field in the creation of designs for men’s and children’s apparel. Lecture, demonstration and laboratory.
Men’s and Children’s Designing
This is a specialized field in the creation of designs for men’s and children’s apparel. Lecture, demonstration and laboratory.
Men’s Apparel Pattern Drafting
This course emphasizes the perfect pattern drafting technique for men’s clothes. Lecture, demonstration and laboratory.
Men’s Apparel Pattern Drafting
This course emphasizes the perfect pattern drafting technique for men’s clothes. Lecture, demonstration and laboratory.
Creating the character costume : tools, tips, and talks with top costumers and cosplayers by
Many beginning and hobbyist costumers believe that professional costume/prop builders have unlimited and specialized resources with which to ply their craft. Actually, the pros create things in much the same way that hobbyists do, working as resourcefully and creatively as possible with a limited budget. Creating the Character Costume dives into these methods to showcase how to achieve expert looks with limited means and lots of creativity. Part One explores tools, materials, and construction methods.
Basic introduction in pattern drafting and in putting measurements into a sloper or a basic block using the procedure in the industry for pattern making. Lecture and laboratory.
Basic introduction in pattern drafting and in putting measurements into a sloper or a basic block using the procedure in the industry for pattern making. Lecture and laboratory.
A further study of the flat pattern drafting which helps the students to learn various components of constructing a garment. Lecture, demonstration and laboratory.
A further study of the flat pattern drafting which helps the students to learn various components of constructing a garment. Lecture, demonstration and laboratory.
Design Profession and Code of Ethics
The course is a survey of the local and international laws and business management practices that affect the domain of designers, artists, musicians, dancers and other practitioners of the creative industries. The course will focus on the study of significant legal concepts on intellectual property rights, infringement, trademark, piracy, unfair competition and other related laws as well as give an introduction to Entrepreneurship. Offers a unique learning experience that provides the student with the necessary knowledge and skills to create a service business related to the student’s field of interest, which will further be developed in higher business courses.
Design Profession and Code of Ethics
The course is a survey of the local and international laws and business management practices that affect the domain of designers, artists, musicians, dancers and other practitioners of the creative industries. The course will focus on the study of significant legal concepts on intellectual property rights, infringement, trademark, piracy, unfair competition and other related laws as well as give an introduction to Entrepreneurship. Offers a unique learning experience that provides the student with the necessary knowledge and skills to create a service business related to the student’s field of interest, which will further be developed in higher business courses.
Architecture Design Data: practice competency in the era of computation by
A systemic transformation is underway in architectural design, engineering and construction. The discipline and profession of architecture is being reshaped in a moment where information, insight and predictions generated during the design process move into construction no longer essentially via drawings. Other, more profound digital techniques yield fundamentally different workflows, responsibilities and business models for architects. This book offers a comprehensive framework, detailed analysis and critical assessment of the challenges and opportunities inherent in those changes. The author sets out to provide direction for a new era in architectural creation that can be understood and managed by a profession which must become better equipped to direct its future.
Introduction to Design Equity by
Why do affluent, liberal, and design-rich cities like Minneapolis have some of the biggest racial disparities in the country? How can designers help to create more equitable communities? Introduction to Design Equity, an open access book for students and professionals, maps design processes and products against equity research to highlight the pitfalls and potentials of design as a tool for building social justice.
This course offers the students the basic principles and practices of business management in the creative industries, specifically the fashion industry. It will also introduce other management issues that have impact on the practice of artists and designers such as marketing and promotions, organizational development. Since a lot of art and design practitioners become entrepreneurs and/or free-lancers, this course will also expose you to entrepreneurship and its requisites plus the many opportunities in the creative industries. This is a good introduction to the world of branding and branding strategies in their applications in a fashion context. In the development of the term, they will examine the different theoretical frameworks used to explain the complex nature of brands and branding and gain an understanding of the strategic brand management process and its relevance to fashion organizations.
This course offers the students the basic principles and practices of business management in the creative industries, specifically the fashion industry. It will also introduce other management issues that have impact on the practice of artists and designers such as marketing and promotions, organizational development. Since a lot of art and design practitioners become entrepreneurs and/or free-lancers, this course will also expose you to entrepreneurship and its requisites plus the many opportunities in the creative industries. This is a good introduction to the world of branding and branding strategies in their applications in a fashion context. In the development of the term, they will examine the different theoretical frameworks used to explain the complex nature of brands and branding and gain an understanding of the strategic brand management process and its relevance to fashion organizations.
Art and design : history, theory, practice by
This book is a selection of essays covering aspects of the history, and contemporary understanding of the fields of art and design and their inter-percolation.Making things has always involved skill and thought. Thought is given to their creation so they are fit for purpose. Where the purpose is aesthetic or intellectual pleasure, the resulting object is often called art. There is, however, often a hierarchy placing "art" somewhere apart from "design." But isn't some art designed? These essays investigate aspects of this dichotomy - from both sides of the supposed divide to discuss the ground.
Fashion meets socialism: fashion industry in the Soviet Union after the Second World War by
e eager and willing to exercise their own judgment in matters of taste and to set the agenda of beauty and style for Soviet citizens. The present book is the first comprehensive and systematic history of the development of fashion and fashion institutions in the Soviet Union after the Second World War. Our study makes use of rich empirical and historical material that has been made available for the first time for scientific analysis and discussion. The main sources for our study came from the state, party and departmental archives of the former Soviet Union. We also make extensive use of oral history and the writings published in Soviet popular and professional press."
Strategic management in the arts by
Strategic Management in the Arts looks at the unique characteristics of organisations in the arts and culture sector and shows readers how to tailor a strategic plan to help these diverse organizations meet their objectives. Strategic management is an essential element that drives an organisation's success, yet many cultural organizations have yet to apply strategic thinking and entrepreneurial actions within the management function. Varbanova reviews the existing theories and models of strategic management and then relates these specifically to cultural organisations. Also included are sections on entrepreneurship and innovations in the arts, considering the concept of a 'learning organisation' - an organisation able to adapt its strategy within a constantly changing, complex environment. The book is structured to walk the reader through each element of the strategic plan systematically. With a fresh approach, key questions, examples, international cases to connect theory with practice and suggestions for further reading, this book is designed to accompany classes on strategic planning, cultural management or arts management.
Merchandising presentation techniques, display techniques and application, theories of colour, customer appeal, mannequin usage, lighting and visual presentation.
Merchandising presentation techniques, display techniques and application, theories of colour, customer appeal, mannequin usage, lighting and visual presentation.
Eco-friendly and fair : fast fashion and consumer behaviour by
The make-take-waste paradigm of fast fashion explains much of the producer and consumer behavior patterns towards fast fashion. The evolution from a two-season fashion calendar to fast fashion, characterized by rapid product cycles from retailers and impulse buying by consumers, presents new challenges to the environment, workplace and labour practices. This book provides a comprehensive overview of new insights into consumer behaviour mechanisms in order to shift practices toward sustainable fashion and to minimize the negative impacts of fast fashion on the environment and society. Concepts and techniques are presented that could overcome the formidable economic drivers of fast fashion and lead toward a future of sustainable fashion. While the need for change in the fashion industry post-Rana Plaza could not be more obvious, alternative and more sustainable consumption models have been under-investigated. The paucity of such research extends to highly consumptive consumer behaviours regarding fast fashion (i.e. impulse buying and throwaways) and the related impediments these behaviours pose for sustainable fashion. Written by leading researchers in the field of sustainable fashion and supported by the Textile Institute, this book evaluates fashion trends, what factors have led to new trends and how the factors supporting fast fashion differ from those of the past. It explores the economic drivers of fast fashion and what social, environmental and political factors should be maintained, and business approaches adopted, in order for fast fashion to be a sustainable model. In particular, it provides consumer behaviour concepts that can be utilized at the retail level to support sustainable fashion.
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